When I found grace (it really is amazing)

Suzie Eller is hosting a #livefreeThursday linkup on her blog today, and the prompt is grace. She’s right that this is a conversation that we need to have right now—when do we show grace? Do we offer the same grace we’ve been given? What part of that (if any) does offering our opinions or correction have ...

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Suzie Eller is hosting a #livefreeThursday linkup on her blog today, and the prompt is grace. She’s right that this is a conversation that we need to have right now—when do we show grace? Do we offer the same grace we’ve been given? What part of that (if any) does offering our opinions or correction have of grace? Do we get to pick and choose who receives grace?

I don’t have answers, except to say that I want to err on the side of grace rather than judgment. On inclusion rather than exclusion.

Because here’s what I know: I don’t deserve God’s grace, and He gave it to me anyway.

Today I want to re-share a post from 2013. I wrote this while attending Elizabeth Berg’s Writers Workshop in Positano, Italy, in October 2012 (and it also happened to win the Writer’s Digest writing competition in inspirational writing). It’s from a time I was shown the depths of God’s grace, from a time when I was lost and truly felt like I had been found again. It’s my favorite thing I’ve ever written, probably because God made Himself so present in my grief and anger and enabled me to find Him again—in spite of the fact that I knew I didn’t deserve Him. I hope you enjoy.


Amazing grace

Lost, I wander down Positano’s serpentine winding roads, pulling in my toes and elbows as maniacal men on motorbikes speed past, honking their horns and weaving between two cars passing in opposite directions on a road barely wide enough for one. I am drawn to the crates of limone, peaches and braided onions taking their afternoon siesta, lazily awaiting transformation into culinary delights. A girl, whose long bronze legs aren’t obscured at all by her tiny miniskirt, kisses the cheeks of the brothers who run the fish shop, then climbs on her moped, leaving as quickly as she came. Now, though, she holds a white plastic bag sagging low with dense, moist meat.

Minutes later, I slow, stop, then sit on a sun-warmed, salmon-colored bench, transfixed by a woman across the piazza. In between bodies of darting boys, scrambling for the orange ball — a kick here, a header there, triumphant shouts, men in white shirts smoking on benches as they watch — she sits, massive bosoms spread as wide as her legs. These aren’t boobs, mind you; there’s nothing sexual about them. Lounging against her stomach, they’ve nurtured babies and gotten in the way of her kneading bread. Sighing, she takes up residence in her doorway, watching everything and yet nothing. Her knee-high pantyhose fight the urge to roll down her calves into her orthotic shoes. The elastic waist of her black polyester slacks cuts into her flesh beneath the embroidered pink flowers burgeoning across her chest. Forearm resting on her knees, still spread widely, her weariness echoes my own. She’s maybe 65, with coal black hair, the places where her face would be wrinkled made smooth by years of eating good food, made with oils and butters and fats. Nothing self-conscious in her manner, she is stolidly unaware that anyone would notice her. She is heavily present, loudly quiet, taking up all the space in her little corner of the world.

I want that, I think. To be solid again. Real. For months, measuring now more than a year, I’ve been lost. Oh, I can find my location on a map, but since my mom quit fighting the cancer that consumed not just her body but also my understanding of who I am, I’ve wandered, free of her anchor, devoid of direction. I wander quickly, mind you — racing from cheering on my daughter in backstroke to perching on aluminum bleachers as my son dribbles down the basketball court. I careen into the driveway, leaving the car running long enough to revise a client’s ad and answer three more e-mails, then head to the grocery for Pizza Rolls for dinner. I fill up squares on my calendar as quickly as the lifeblood drains from my soul. I replay over and over a conversation we had right after my mom’s diagnosis. “It is not tragic,” she insisted, “for a 70-year-old woman to die of cancer.”

“You are so wrong,” I muttered, as daughters have since time began.

The orange ball bounces my way and I jump out of its path. I turn away, beckoned by the sound of the sea drifting over the wall that surrounds the plaza. Roosters crow, birds call, and motorboats circle the deep blue, teal at the edges, that gently fades to the clear blue of sky, anchoring the majestic cliffs adorned with sorbet-colored buildings, clinging, climbing up the hills. The light here surrounds you, seeming to come from all sides. The life here surrounds you, seeming to come from all sides. Like the embrace of a mother. The softness of bosoms that nurtured babies and got in the way of kneading bread. A mother nothing like my own, yet completely mine.

positano composite1How sweet the sound, that saved a wretch like me

Hidden from view by the twists and turns of the stone stairway, cooler here in the shadows, I stop to peer through a rusted red gate, topped with a starburst of metal points, and I notice the jewel-colored tile cemented into the wall next to it. Number 11, it reads, crossed out with ochre paint, the numero 13 roughly stenciled below. A thing of beauty now marked and ugly. Redefined. What happened?

A very good question, my God whispers into my soul. Why have you changed, baby girl?

I picture my mom’s face, her bald-baby-bird head tilted up but no longer in need of sustenance, lips crusty, the whites of her eyes yellowing as the plastic bag beside her ceases to fill. My sister and father and two family friends sit in the kitchen, methodically lifting bites of meatloaf and buttering the rolls left behind by Mom’s friends, glancing occasionally into the next room, where she lies. My sister’s fork stops moving. “I think she stopped breathing.”

It’s just like my mom to do it this way. Two days earlier, as I sat beside her, she awoke, her brain poisoned by her body’s toxins, eyes crazed: “What are we gonna say?”

“What do you mean, Mom? About what?”

Dad rushed in, and looking from him to me to him to me, she insisted, “We can’t say ‘surrounded by family and friends.’ Promise me. Promise me!”

Her biggest fear was underlined by the standard obituary boilerplate: that we would have to watch her go. That that moment would be tattooed onto our psyches, indelibly scarring even the deepest layers. That her last act on earth would harm us rather than help.

My sister’s face traced by silky tears, she clutches Mom’s hands. “You did it, Mom. You did it well! I’m so proud of you. You did it!”

All I can do is gulp in sobs of air. I feel the nudge of my God, offering comfort. As he whispers, Oh, my sweet child, I shrug away his embrace, turning instead toward the relentless, stinging pain of the needles tattooing the image of her still form in pure, vivid color deep inside my mind.

positano composite 3I once was lost…

Another day in Positano, I walk down hundreds of stone steps toward the beach, peeking in doorways, looking behind the public façades for what is hidden. Green gates reveal empty crates jumbled in the corner, broken bottles, smelly trash. Water settles in the grout between misshapen stone blocks and I step around the puddles, pausing to give my aching knees a rest, letting the breeze dry my sweat. A man exits a courtyard (“Ciao, ciao-grazie”), and I consider sliding through the gate before it latches, stepping through the rooms to finger the softness of the worn towels and aprons fluttering on the balconies. Instead, I turn and let my eyes rove over his white shirt unbuttoned halfway down, sleeves rolled up, torso long and lean and trim and lovely, before he folds himself into a miniature military-looking truck and lurches down the crowded street, clutch popping and brakes squealing in protest.

I round another bend — they’re all bends here, no straight or level paths — and a shockwave of beauty presses me back to the wall. The tableau before me is spread with orange tiled terraces with curvy iron tables. Fuchsia bougainvillea climb and preen on this stage, gaudy showgirls begging for attention. The peach and pink and salmon and butter and gold and cream buildings with striped awnings beckon from their perches, while, inside, tourists sip bellinis. Lemons ripen in the sun and olives fall from their gnarled trees onto stretched, waiting nets. Relaxing my shoulders, I turn my face toward the sky, stretch my tight neck from side to side. Envisioning myself open, stretched open waiting to receive, I am able to breathe again.

I duck into a church, where street sounds are hushed and air stifles and Italian women genuflect, loudly kissing their fingertips and offering the gesture up to God. I automatically look up, to the tops of the beams and jewel-colored glass, knowing that the builders of these churches hid tiny details up high, where they could be seen only by the eyes of God. I see nothing, but I know He does. I can’t hide from Him forever. Closing my eyes, suddenly filled, I drop my chin and pray. Lord, I cry. That’s all — one word — Lord. In a rush of emotions lacking coherence, I quietly offer it up to Him, what little I have to give.

positano composite 2 …but now am found

The shops here beckon through tiny doorways. As white linen shirts flutter from hangers, silken scarves dance across baskets of fragrant lemon soaps. Shop owners greet me, so obviously a tourist, in my own language. Around me, couples discuss purchases in French, German, English and Italian. Behind glass cases, cheeses lie down with salamis. Mouthwatering smells of spicy paninis and buttery pastries filled with chocolate or peach further crowd the narrow pathways. Trinkets hang from placards as foreigners grab up postcards and wine stoppers with shaky “Positano” lettered around the pastel scenes. At the top of a hill, I find colorful tiles and bowls and olive oil containers, painted by hand with lemons and vines and intricate patterns. The women in the back stop chattering in their expressive, fluid ways long enough to nod hello, then go back to their tales of men and children and love and loss, voices swelling and expanding to fill the space.

Mom would love these tiles, I think. She was always the first person I bought for, her gifts the easiest and most obvious choices. She knew me the same way. I ask a shopkeeper, “Quanta costa?” What’s the cost? Will this loss simply change me or completely define me? Help me, Lord, to find value again — not just outside but within.

So very tired of navigating alone, I buy a ticket for the orange bus that will take me back. I hope. The driver doesn’t understand my question, but on impulse I climb on anyway, believing the bus to be pointed in the right direction. As we climb up and up, curving around cliffs with stunning buildings stretching toward the heavens, I feel lighter. We pick up speed as we near my stop and fly right on by. My stomach lurches, dropping down the sheer mountain faces into the sea. No, I decide. This is an adventure. I can do this. I take a deep breath to slow my rapid heartbeat and sit back. Minutes later we reach the turnaround which positions the bus the right way to follow the one-way (down) road, and within moments, the bus stops just feet from the entrance to my hotel.

Va bene. “See, it’s all good,” I hear Positano remind me. You just have to be willing to take chances now and again. Let the vibrant colors thrill you. Stop trying to make out words; listen instead for nuances. Kiss noisily, grasp shoulders and stand close to those you love. Savor delicate flavors, letting them thrill your tongue. Hurry all you want; get where you need to go. But once you’re there, once you finally arrive, linger. Open yourself, even to the pain. Because although the streets are busy and crowded, they run in both directions. And when you open to let out the pain, good things come rushing in. The outside world hushes and you find yourself behind that façade, in that secret place where not everyone can go, head nestled on that ample bosom, a beloved child once more.

Was blind, but now I see.

It truly is grace

I’ve known about this for a couple months, but the official issue of Writer’s Digest came out last week with my name listed: First Place Winner in Inspirational Writing Category! When I decided to attend the Elizabeth Berg Writers Workshop in Positano, Italy, last October, it was a huge leap of faith — telling the ...

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8102-WD An-hires-AW

I’ve known about this for a couple months, but the official issue of Writer’s Digest came out last week with my name listed: First Place Winner in Inspirational Writing Category! When I decided to attend the Elizabeth Berg Writers Workshop in Positano, Italy, last October, it was a huge leap of faith — telling the world I was serious about this writing thing. Elizabeth was at least as kind, generous, talented and intuitive as I imagined. Positano was more beautiful than any place has the right to be. The women who attended with me are fun, talented, interesting, and became friends. And if that was all I got out of it, well, I’d be the most fortunate person alive. But all of that beauty pales in relation to the wonder of the ways God led me to face my grief and anger and helped me find Him again. The ways He showed me grace.

If you have a little time on your hands, read on. I’ve published the complete essay below. I hope you enjoy!


Amazing grace

Lost, I wander down Positano’s serpentine winding roads, pulling in my toes and elbows as maniacal men on motorbikes speed past, honking their horns and weaving between two cars passing in opposite directions on a road barely wide enough for one. I am drawn to the crates of limone, peaches and braided onions taking their afternoon siesta, lazily awaiting transformation into culinary delights. A girl, whose long bronze legs aren’t obscured at all by her tiny miniskirt, kisses the cheeks of the brothers who run the fish shop, then climbs on her moped, leaving as quickly as she came. Now, though, she holds a white plastic bag sagging low with dense, moist meat.

Minutes later, I slow, stop, then sit on a sun-warmed, salmon-colored bench, transfixed by a woman across the piazza. In between bodies of darting boys, scrambling for the orange ball — a kick here, a header there, triumphant shouts, men in white shirts smoking on benches as they watch — she sits, massive bosoms spread as wide as her legs. These aren’t boobs, mind you; there’s nothing sexual about them. Lounging against her stomach, they’ve nurtured babies and gotten in the way of her kneading bread. Sighing, she takes up residence in her doorway, watching everything and yet nothing. Her knee-high pantyhose fight the urge to roll down her calves into her orthotic shoes. The elastic waist of her black polyester slacks cuts into her flesh beneath the embroidered pink flowers burgeoning across her chest. Forearm resting on her knees, still spread widely, her weariness echoes my own. She’s maybe 65, with coal black hair, the places where her face would be wrinkled made smooth by years of eating good food, made with oils and butters and fats. Nothing self-conscious in her manner, she is stolidly unaware that anyone would notice her. She is heavily present, loudly quiet, taking up all the space in her little corner of the world.

I want that, I think. To be solid again. Real. For months, measuring now more than a year, I’ve been lost. Oh, I can find my location on a map, but since my mom quit fighting the cancer that consumed not just her body but also my understanding of who I am, I’ve wandered, free of her anchor, devoid of direction. I wander quickly, mind you — racing from cheering on my daughter in backstroke to perching on aluminum bleachers as my son dribbles down the basketball court. I careen into the driveway, leaving the car running long enough to revise a client’s ad and answer three more e-mails, then head to the grocery for Pizza Rolls for dinner. I fill up squares on my calendar as quickly as the lifeblood drains from my soul. I replay over and over a conversation we had right after my mom’s diagnosis. “It is not tragic,” she insisted, “for a 70-year-old woman to die of cancer.”

“You are so wrong,” I muttered, as daughters have since time began.

The orange ball bounces my way and I jump out of its path. I turn away, beckoned by the sound of the sea drifting over the wall that surrounds the plaza. Roosters crow, birds call, and motorboats circle the deep blue, teal at the edges, that gently fades to the clear blue of sky, anchoring the majestic cliffs adorned with sorbet-colored buildings, clinging, climbing up the hills. The light here surrounds you, seeming to come from all sides. The life here surrounds you, seeming to come from all sides. Like the embrace of a mother. The softness of bosoms that nurtured babies and got in the way of kneading bread. A mother nothing like my own, yet completely mine.

How sweet the sound, that saved a wretch like me

Hidden from view by the twists and turns of the stone stairway, cooler here in the shadows, I stop to peer through a rusted red gate, topped with a starburst of metal points, and I notice the jewel-colored tile cemented into the wall next to it. Number 11, it reads, crossed out with ochre paint, the numero 13 roughly stenciled below. A thing of beauty now marked and ugly. Redefined. What happened?

A very good question, my God whispers into my soul. Why have you changed, baby girl?

I picture my mom’s face, her bald-baby-bird head tilted up but no longer in need of sustenance, lips crusty, the whites of her eyes yellowing as the plastic bag beside her ceases to fill. My sister and father and two family friends sit in the kitchen, methodically lifting bites of meatloaf and buttering the rolls left behind by Mom’s friends, glancing occasionally into the next room, where she lies. My sister’s fork stops moving. “I think she stopped breathing.”

It’s just like my mom to do it this way. Two days earlier, as I sat beside her, she awoke, her brain poisoned by her body’s toxins, eyes crazed: “What are we gonna say?”

“What do you mean, Mom? About what?”

Dad rushed in, and looking from him to me to him to me, she insisted, “We can’t say ‘surrounded by family and friends.’ Promise me. Promise me!”

Her biggest fear was underlined by the standard obituary boilerplate: that we would have to watch her go. That that moment would be tattooed onto our psyches, indelibly scarring even the deepest layers. That her last act on earth would harm us rather than help.

My sister’s face traced by silky tears, she clutches Mom’s hands. “You did it, Mom. You did it well! I’m so proud of you. You did it!”

All I can do is gulp in sobs of air. I feel the nudge of my God, offering comfort. As he whispers, Oh, my sweet child, I shrug away his embrace, turning instead toward the relentless, stinging pain of the needles tattooing the image of her still form in pure, vivid color deep inside my mind.

I once was lost…

Another day in Positano, I walk down hundreds of stone steps toward the beach, peeking in doorways, looking behind the public façades for what is hidden. Green gates reveal empty crates jumbled in the corner, broken bottles, smelly trash. Water settles in the grout between misshapen stone blocks and I step around the puddles, pausing to give my aching knees a rest, letting the breeze dry my sweat. A man exits a courtyard (“Ciao, ciao-grazie”), and I consider sliding through the gate before it latches, stepping through the rooms to finger the softness of the worn towels and aprons fluttering on the balconies. Instead, I turn and let my eyes rove over his white shirt unbuttoned halfway down, sleeves rolled up, torso long and lean and trim and lovely, before he folds himself into a miniature military-looking truck and lurches down the crowded street, clutch popping and brakes squealing in protest.

I round another bend — they’re all bends here, no straight or level paths — and a shockwave of beauty presses me back to the wall. The tableau before me is spread with orange tiled terraces with curvy iron tables. Fuchsia bougainvillea climb and preen on this stage, gaudy showgirls begging for attention. The peach and pink and salmon and butter and gold and cream buildings with striped awnings beckon from their perches, while, inside, tourists sip bellinis. Lemons ripen in the sun and olives fall from their gnarled trees onto stretched, waiting nets. Relaxing my shoulders, I turn my face toward the sky, stretch my tight neck from side to side. Envisioning myself open, stretched open waiting to receive, I am able to breathe again.

I duck into a church, where street sounds are hushed and air stifles and Italian women genuflect, loudly kissing their fingertips and offering the gesture up to God. I automatically look up, to the tops of the beams and jewel-colored glass, knowing that the builders of these churches hid tiny details up high, where they could be seen only by the eyes of God. I see nothing, but I know He does. I can’t hide from Him forever. Closing my eyes, suddenly filled, I drop my chin and pray. Lord, I cry. That’s all — one word — Lord. In a rush of emotions lacking coherence, I quietly offer it up to Him, what little I have to give.

…but now am found

The shops here beckon through tiny doorways. As white linen shirts flutter from hangers, silken scarves dance across baskets of fragrant lemon soaps. Shop owners greet me, so obviously a tourist, in my own language. Around me, couples discuss purchases in French, German, English and Italian. Behind glass cases, cheeses lie down with salamis. Mouthwatering smells of spicy paninis and buttery pastries filled with chocolate or peach further crowd the narrow pathways. Trinkets hang from placards as foreigners grab up postcards and wine stoppers with shaky “Positano” lettered around the pastel scenes. At the top of a hill, I find colorful tiles and bowls and olive oil containers, painted by hand with lemons and vines and intricate patterns. The women in the back stop chattering in their expressive, fluid ways long enough to nod hello, then go back to their tales of men and children and love and loss, voices swelling and expanding to fill the space.

Mom would love these tiles, I think. She was always the first person I bought for, her gifts the easiest and most obvious choices. She knew me the same way. I ask a shopkeeper, “Quanta costa?” What’s the cost? Will this loss simply change me or completely define me? Help me, Lord, to find value again — not just outside but within.

So very tired of navigating alone, I buy a ticket for the orange bus that will take me back. I hope. The driver doesn’t understand my question, but on impulse I climb on anyway, believing the bus to be pointed in the right direction. As we climb up and up, curving around cliffs with stunning buildings stretching toward the heavens, I feel lighter. We pick up speed as we near my stop and fly right on by. My stomach lurches, dropping down the sheer mountain faces into the sea. No, I decide. This is an adventure. I can do this. I take a deep breath to slow my rapid heartbeat and sit back. Minutes later we reach the turnaround which positions the bus the right way to follow the one-way (down) road, and within moments, the bus stops just feet from the entrance to my hotel.

Va bene. “See, it’s all good,” I hear Positano remind me. You just have to be willing to take chances now and again. Let the vibrant colors thrill you. Stop trying to make out words; listen instead for nuances. Kiss noisily, grasp shoulders and stand close to those you love. Savor delicate flavors, letting them thrill your tongue. Hurry all you want; get where you need to go. But once you’re there, once you finally arrive, linger. Open yourself, even to the pain. Because although the streets are busy and crowded, they run in both directions. And when you open to let out the pain, good things come rushing in. The outside world hushes and you find yourself behind that façade, in that secret place where not everyone can go, head nestled on that ample bosom, a beloved child once more.

Was blind, but now I see.

The God who sees me

In Positano, I duck into a church, where street sounds are hushed and air stifles and Italian women genuflect, loudly kissing their fingertips and offering the gesture up to God. I automatically look up, to the tops of the beams and jewel-colored glass, knowing that the builders of these churches hid tiny details up high, ...

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positano churchIn Positano, I duck into a church, where street sounds are hushed and air stifles and Italian women genuflect, loudly kissing their fingertips and offering the gesture up to God. I automatically look up, to the tops of the beams and jewel-colored glass, knowing that the builders of these churches hid tiny details up high, where they could be seen only by the eyes of God. Legend says that when a craftsman was asked why he was spending time carving a bird on the top of a wooden beam that would soon be covered by the roof, he answered, “Because God sees.”

And although I don’t see a thing, I know He does. I can’t hide from Him forever.

Or, really, at all.

Closing my eyes, suddenly brimming with tears, I drop my chin and pray. Lord, I cry. That’s all — one word —Lord. In a rush of emotions lacking coherence, I quietly offer it up to Him, what little I have to give.

My little carved bird may be a disaster — it may be just a lump of wood. I may not know how to create something delicate and beautiful with the finesse of a master craftsman. I may be intimidated by the church’s beauty, terrified to climb up the scaffolding, afraid to cut into that block of wood, certain I will mess it all up.

And yet He still sees. He knows that I’m there.

“Thereafter, Hagar used another name to refer to the Lord, who had spoken to her. She said, “You are the God who sees me.” Genesis 16:13 NLT

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